P2163 | FAST ID | 1432078 |
P244 | Library of Congress authority ID | sh85103395 |
P8647 | Library of Congress Children's Subject Headings ID | sj2021055734 |
P8189 | National Library of Israel J9U ID | 987007555834905171 |
P1368 | National Library of Latvia ID | 000064059 |
P5008 | on focus list of Wikimedia project | WikiProject PCC Wikidata Pilot/University of Washington | Q98970039 |
P3095 | practiced by | comedy writer | Q11914886 |
playwright | Q214917 |
Q110276148 | Adam Peck |
Q113554225 | Aileen Cleveland Higgins |
Q5666665 | Alfonso Alcalde |
Q601307 | Athol Fugard |
Q102257834 | David Guaspari |
Q117624333 | Della J. Evans |
Q124056459 | Ilka Angyal |
Q51457931 | Jerrold Krimsky |
Q443868 | Jon Fosse |
Q7176 | Naguib Mahfouz |
Q125510419 | Oludolapo Ojediran |
Q7351610 | Roberto Brodsky |
Q115130426 | Steve Feffer |
Q113154470 | Susan Kander |
Q109380045 | Tara Beagan |
Q124782507 | Winston Christopher Kam |
Q112900863 | Fact and Fiction: Historical Murder Material Refocused in a Play Script. |
Q112887319 | Master of Fine Arts Thesis in Playwriting |
Q111652139 | Paul McPharlin Puppetry Collection II, 1926-1959 |
Q111965822 | Waipiata: A Practice-Led Exploration of Heterotopic Playwriting |
Q112935817 | What political and theatrical considerations are required to write a play inspired by Elizabeth Colenso and the Victorian suffragists in order to show the conflicts of emancipation for 21st century women in positions of power |
Q112937770 | Whose stories we tell : what factors need to be taken into consideration in the creation of a theatrical play text based on a historical figure? |
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