| academic journal | Q737498 |
| open-access journal | Q773668 |
| periodical | Q1002697 |
| P6981 | ACNP journal ID | 3378068 |
| P8375 | Crossref journal ID | 328731 |
| P5115 | Directory of Open Access Journals ID | 1784-5092 |
| P2671 | Google Knowledge Graph ID | /g/120ylhp2 |
| P8903 | HAL journal ID | 113346 |
| P236 | ISSN | 1784-5092 |
| P7363 | ISSN-L | 1784-5092 |
| P1277 | JUFO ID | 70221 |
| P4730 | Mir@bel journal ID | 1065 |
| P243 | OCLC control number | 218842034 |
| P856 | official website | http://ceroart.revues.org/ |
| http://www.ceroart.org | ||
| P10283 | OpenAlex ID | S2739130129 |
| P4741 | OpenEdition journal ID | 2582 |
| P7662 | Scilit journal ID | 4188440 |
| P1025 | SUDOC editions | 116269634 |
| P972 | catalog | Directory of Open Access Journals | Q1227538 |
| P275 | copyright license | Creative Commons Attribution-NonCommercial-NoDerivatives | Q6937225 |
| P6216 | copyright status | copyrighted | Q50423863 |
| P17 | country | Belgium | Q31 |
| P495 | country of origin | Belgium | Q31 |
| P571 | inception | 2007-01-01 | |
| P407 | language of work or name | French | Q150 |
| multiple languages | Q20923490 | ||
| P123 | publisher | Association CeROArt | Q52608067 |
| P408 | software engine | OpenEdition Journals | Q3428785 |
| P1476 | title | CeROArt |
| Q113053335 | A European Recommendation for the Conservation-Restoration of cultural heritage |
| Q118133818 | A wall painting from the domus of Palazzo Govone-Caratti at Alba Pompeia (Italy) |
| Q128449045 | About the choice of tension for canvas paintings |
| Q128450686 | Autour de Brandi, des oeuvres et des objets d'art |
| Q128415548 | Autour d’un Outrenoir de Pierre Soulages |
| Q114973548 | Caring For Performance: Recent Debates |
| Q128462686 | Conservation Treatment and the Custodian/Conservator Relationship |
| Q118133788 | Conservation and restoration of two wall painting fragments by Bernardino Luini |
| Q128450688 | Conservation d'une oeuvre monumentale contemporaine de Jean-Pierre Pincemin |
| Q113053338 | Conservation-Restoration education and the development of the profession |
| Q128452211 | De l’axiologie |
| Q113053328 | Degradation, Conservation, and Restoration of Works of Art: Historical Overview |
| Q118133826 | Eigil Rothe, an early twentieth century wall paintings conservator in Denmark |
| Q128462684 | Exploration des fonds : La famille Soler de Pablo Picasso |
| Q128450683 | Forgery of Icons |
| Q128451428 | Issues in the preservation of manually tanned skin materials |
| Q113053340 | Issues of conservation and restoration of two photographic works by Zbigniew Dłubak: Onona and Desymbolisations |
| Q128452206 | La conservation des ossements fossiles : le cas des Iguanodons de Bernissart |
| Q128462214 | La politique de conservation-restauration du patrimoine en France |
| Q128450689 | La restauration de My Flower Bed, de Yayoi Kusama |
| Q128462218 | La restauration en vitrine |
| Q128462683 | Le vernis des apparences |
| Q128450685 | Les collections permanentes du Louvre et l’exposition de l’art contemporain |
| Q128452213 | Lieux de connaissance(s) |
| Q128452208 | Louvre-Lens : le Louvre autrement |
| Q128449059 | L’entreprise de Giotto |
| Q128462681 | L’exemple de la restauration des luminaires de la synagogue de la Victoire |
| Q128451415 | MAP as a conservation method for contemporary art with foodstuffs : three case studies |
| Q118133842 | Nanorestore® for the consolidation of wall paintings |
| Q128462217 | Paint handling in Leonardo’s Mona Lisa: guides to a reconstruction |
| Q128462219 | Patrimoine(s) et Conservation-Restauration(s) |
| Q113053341 | Percent-for-Art Policy and Contemporary Art Care and Conservation-Restoration in the City of Oulu Art Collections |
| Q113053330 | Please: Don’t spruce up built heritage but preserve it as an authentic historic document! |
| Q128462688 | Politiques de conservation : les mots et les choses |
| Q128452215 | Poser et reposer des choix |
| Q128450681 | RE-ORG: A methodology for reorganizing museum storage developed by ICCROM and UNESCO |
| Q128449788 | Reflections on the relation between conservation and science |
| Q128462687 | Repeint et falsification |
| Q128452212 | Research and Encounters around the Conservation of a Vietnamese War Painting |
| Q113053327 | Research and Teaching – an Indispensible Requirement of Academic Conservation-Restoration Education |
| Q113053326 | Research as an integral part of conservation- restoration education |
| Q128452214 | Restauration contemporaine, restauration de l’Art contemporain |
| Q128452210 | Restauration et traduction : une question de philosophie |
| Q113053336 | Restoration of Gottseelige Schluess und Fuersaetz der Seele, an eighteenth century vellum bound book |
| Q113053356 | Retracing the restoration history of Viennese paintings in the Musée Napoléon (1809-1815) |
| Q128452209 | Subjectivity as Treatment: Neurosis and the Roots of Contemporary Ethnographic Conservation |
| Q118133879 | Taking the wrong path: learning from oversights, misconceptions, failures and mistakes in conservation |
| Q113053334 | Teaching conservation-restoration in an art school: sharing experiences |
| Q128462216 | The Contemporary Artwork Between Meaning and Cultural Identity |
| Q128450286 | The Early History of Preventive Conservation in Great Britain and the United States (1850–1950) |
| Q128452207 | The Object in Transition: A Cross Disciplinary Conference on the Preservation and Study of Modern and Contemporary Art |
| Q113053347 | The Restoration of Paintings at the Beginning of the Nineteenth Century in the Imperial Gallery |
| Q113053342 | The Restoration of Paintings at the Imperial Hermitage (Saint-Petersburg) at the Beginning of the 19th Century |
| Q128449053 | The dust-jacket considered |
| Q113053325 | The problematic restoration of a conceptual light artwork |
| Q113053331 | The significance of practice in the training of conservator-restorers at the Faculty of Conservation and Restoration of Works of Art, Academy of Fine Arts in Warsaw |
| Q112050909 | The spectator as a spiritual conservator of artistic heritage. Roger Marijnissen on museum education |
| Q118133821 | To retouch or not to retouch? – Reflections on the aesthetic completion of wall paintings |
| Q113053339 | Trans Europe Express, study and restoration of a major artwork by Dorothée Selz |
| Q113053357 | Tratteggio retouch and its derivatives as an image reintegration solution in the process of restoration |
| Q113053359 | ecr – estudos de conservação e restauro |
| Q118133831 | “Bildtapeten” and the conservation of medieval wall paintings at the turn of the twentieth century in Germany |
| Q63613167 | Exposition et conservation de Tolstoï et les poules, une œuvre d’Oleg Kulik |
| CeROArt | wikipedia |
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