review article | Q7318358 |
scholarly article | Q13442814 |
P2093 | author name string | Roddy Cowie | |
P2860 | cites work | Recognition-by-components: a theory of human image understanding | Q28300970 |
Unconscious Facial Reactions to Emotional Facial Expressions | Q29037165 | ||
Communication of emotions in vocal expression and music performance: different channels, same code? | Q30333410 | ||
Emotion recognition based on physiological changes in music listening. | Q30373144 | ||
Perceiving affect from arm movement | Q30462956 | ||
Human facial expressions as adaptations: Evolutionary questions in facial expression research | Q34490197 | ||
The world of emotions is not two-dimensional. | Q34716648 | ||
Facial and vocal expressions of emotion. | Q34988065 | ||
Perceptual evaluation of voice quality and its correlation with acoustic measurements | Q35872222 | ||
Embodiment in attitudes, social perception, and emotion. | Q36219754 | ||
Empathizing: neurocognitive developmental mechanisms and individual differences | Q36610240 | ||
Acoustic profiles in vocal emotion expression | Q39432254 | ||
Facial motion in the perception of faces and of emotional expression | Q43524613 | ||
Studying the dynamics of emotional expression using synthesized facial muscle movements | Q44617566 | ||
Behavioral markers and recognizability of the smile of enjoyment. | Q45994227 | ||
Who can catch a liar? | Q46560353 | ||
Multimodal expression of emotion: affect programs or componential appraisal patterns? | Q50907497 | ||
Are facial expressions of emotion produced by categorical affect programs or dynamically driven by appraisal? | Q50907507 | ||
Deciphering the enigmatic face: the importance of facial dynamics in interpreting subtle facial expressions. | Q50970558 | ||
Perception of emotion from dynamic point-light displays represented in dance. | Q50996874 | ||
Facial expression megamix: tests of dimensional and category accounts of emotion recognition. | Q51102636 | ||
Emotion recognition: The role of facial movement and the relative importance of upper and lower areas of the face | Q51272835 | ||
Modeling tone and intonation in Mandarin and English as a process of target approximation. | Q51941739 | ||
What are emotions? And how can they be measured? | Q56047919 | ||
Perceptual and Acoustic Correlates of Abnormal Voice Qualities | Q58273814 | ||
The role of "cutting" in the perception of the motion picture | Q75676515 | ||
P433 | issue | 1535 | |
P407 | language of work or name | English | Q1860 |
P304 | page(s) | 3515-3525 | |
P577 | publication date | 2009-12-01 | |
P1433 | published in | Philosophical Transactions of the Royal Society B | Q2153239 |
P1476 | title | Perceiving emotion: towards a realistic understanding of the task | |
P478 | volume | 364 |
Q57814332 | A Review of Dynamic Datasets for Facial Expression Research |
Q42663184 | Computation of emotions in man and machines |
Q42663137 | Designing for emotion (among other things). |
Q58290646 | Evaluating the Sensitivity to Virtual Characters Facial Asymmetry in Emotion Synthesis |
Q55426186 | The Ryerson Audio-Visual Database of Emotional Speech and Song (RAVDESS): A dynamic, multimodal set of facial and vocal expressions in North American English. |
Q26776150 | What is the Value of Embedding Artificial Emotional Prosody in Human-Computer Interactions? Implications for Theory and Design in Psychological Science |
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