| P50 | author | Despina Stamatopoulou | Q95945172 |
| P2093 | author name string | Despina Stamatopoulou | |
| P2860 | cites work | Openness to absorbing and self-altering experiences ("absorption"), a trait related to hypnotic susceptibility | Q28246243 |
| | How do you feel--now? The anterior insula and human awareness | Q29547250 |
| | Empathy: Its ultimate and proximate bases | Q29616023 |
| | Emotional sounds and the brain: the neuro-affective foundations of musical appreciation. | Q30332208 |
| | Integrating the philosophy and psychology of aesthetic experience: development of the aesthetic experience scale. | Q30349803 |
| | Before and below 'theory of mind': embodied simulation and the neural correlates of social cognition | Q30494486 |
| | Social cognitive conflict resolution: contributions of domain-general and domain-specific neural systems | Q30495894 |
| | Meta-analytic evidence for common and distinct neural networks associated with directly experienced pain and empathy for pain | Q33718832 |
| | Naturalizing aesthetics: brain areas for aesthetic appraisal across sensory modalities | Q33941629 |
| | The neuronal basis and ontogeny of empathy and mind reading: review of literature and implications for future research | Q33998481 |
| | Using nonconscious behavioral mimicry to create affiliation and rapport | Q34205978 |
| | Does affect induce self-focused attention? | Q34618192 |
| | Consciousness and the varieties of emotion experience: a theoretical framework | Q34624589 |
| | Simulation trouble | Q34797170 |
| | Putting reward in art: A tentative prediction error account of visual art. | Q36362000 |
| | Human, Nature, Dynamism: The Effects of Content and Movement Perception on Brain Activations during the Aesthetic Judgment of Representational Paintings. | Q36453188 |
| | See it with feeling: affective predictions during object perception. | Q37153112 |
| | Art reaches within: aesthetic experience, the self and the default mode network | Q37418299 |
| | Empathy: a motivated account | Q38262930 |
| | The role of shared neural activations, mirror neurons, and morality in empathy--a critical comment | Q38279595 |
| | Uncovering the connection between artist and audience: viewing painted brushstrokes evokes corresponding action representations in the observer | Q38430386 |
| | Viewing artworks: contributions of cognitive control and perceptual facilitation to aesthetic experience. | Q38451796 |
| | Aesthetic properties of pictorial perception | Q38462397 |
| | The Neuroscience of Intergroup Relations: An Integrative Review | Q38546881 |
| | Differences in self- and other-induced Mu suppression are correlated with empathic abilities | Q43440287 |
| | Motivated mind perception: treating pets as people and people as animals | Q46927046 |
| | Motion, emotion and empathy in esthetic experience | Q47804126 |
| | How do we empathize with someone who is not like us? A functional magnetic resonance imaging study | Q48763604 |
| | Simulation, projection and empathy. | Q50795632 |
| | On the origins of background emotions: from affect synchrony to symbolic expression. | Q50892308 |
| | Neural Simulation and Social Cognition | Q56287881 |
| P433 | issue | 2 | |
| P304 | page(s) | 169-186 | |
| P577 | publication date | 2017-09-21 | |
| P1433 | published in | Cognitive Processing | Q15745206 |
| P1476 | title | Empathy and the aesthetic: Why does art still move us? | |
| P478 | volume | 19 | |