Alphaville: Journal of Film and Screen Media

Academic journal published by University College Cork , covering the subjects: Fine Arts: Visual arts

Alphaville: Journal of Film and Screen Media is …
instance of (P31):
open-access journalQ773668
academic journalQ737498

External links are
P6981ACNP journal ID2906468
P8375Crossref journal ID359897
P5115Directory of Open Access Journals ID2009-4078
P236ISSN2009-4078
P7363ISSN-L2009-4078
P1277JUFO ID84436
P4730Mir@bel journal ID14371
P856official websitehttp://www.alphavillejournal.com/
P10283OpenAlex IDS4210182009
P7662Scilit journal ID4261635

P972catalogDirectory of Open Access JournalsQ1227538
P275copyright licenseCreative Commons Attribution-NonCommercialQ6936496
Creative Commons Attribution-NonCommercial-NoDerivativesQ6937225
P6216copyright statuscopyrightedQ50423863
P17countryIrelandQ27
P495country of originIrelandQ27
P407language of work or nameEnglishQ1860
P921main subjectvisual artsQ36649
P123publisherUniversity College CorkQ1574185
P1476titleAlphaville

Reverse relations

published in (P1433)
Q127307730Animating Space: From Mickey To WALL-E, J.P. Telotte. Lexington, Kentucky: The University Press of Kentucky, 2010 (296 pages). ISBN: 978-0-8131-2586-2 [Review]
Q127589269Around the World in 14 Films: The Berlin Festival of Festivals
Q104671849But how is it not just practice? Or do I not know practice as research?
Q127544961Cinematography and filmmaking research
Q123018264Compact Cinematics: The Moving Image in the Age of Bit-Sized Media, edited by Pepita Hesselberth and Maria Poulaki
Q123365551Cosmopolitan crimes
Q122998593Cosmopolitan pleasures and affects; or why are we still talking about yellowface in twenty-first-century cinema?
Q122983001Cosmopolitan spaces of international film festivals
Q126278379Decolonial gesture and the screening of the botanical artist in Miasma, Plants, Export Paintings (Bo Wang and Pan Lu, 2017)
Q123306899Document Human Rights Film Festival 2017
Q127543674Documentary Case Studies: Behind the Scenes of the Greatest (True) Stories Ever Told, edited by Jeff Swimmer
Q127539422Documentary Media: History, Theory, Practice, by Broderick Fox
Q122933423Encounters with cultural difference
Q127590325Exploring speculative methods
Q122910266Film Policies in Transition
Q122961406Film festivals as cosmopolitan assemblages
Q114250708Filmgoing or cinemagoing? The role of the film text within cinema memory
Q123157639For a cosmopolitan cinema
Q123026508From Self-fulfilment to Survival of the Fittest: Work in European Cinema from the 1960s to the Present, by Ewa Mazierska
Q122926076Global film at global airlines
Q128505315Home as a site of resistance: Editorial
Q128543137Home movies as technologies of belonging and resistance
Q123148614Imperial and critical cosmopolitans
Q128466757Jonas Mekas, Shiver of Memory, by Peter Delpeut
Q125122386Landscape and the Moving Image, by Catherine Elwes
Q123178584Making Time in Stanley Kubrick’s Barry Lyndon: Art History and Empire, by Maria Pramaggiore
Q128501442Marginality, resilience and escape: Home in Ana Rocha de Sousa’s Listen
Q114429920Not Your Average Zombie: Rehumanizing the Undead from Voodoo to Zombie Walks, by Chera Kee
Q128540792Perpetrator Cinema: Confronting Genocide in Cambodian Documentary, by Raya Morag
Q128543124Precarity and resistance: Mediating home across contemporary Europe through the short hybrid film
Q128534770ReFocus: The Films of William Friedkin, by Steve Choe
Q113175417Rediscovering “wonder” through i-docs
Q128587746Reproducing home as a space of labour: The Great Indian Kitchen and Jaya Jaya Jaya Jaya Hai
Q127574828Researching creative practice: terminology, policy, models
Q127533839Screen production research: creative practice as a mode of enquiry, edited by Craig Batty and Susan Kerrigan
Q123111303Teaching European cinema
Q127531464The American Marshall Plan Film Campaign and the Europeans: A Captivated Audience?, by Maria Fritsche
Q123358927The films of Ciro Guerra and the making of cosmopolitan spaces in Colombian cinema
Q123264289‘Now I fight for belonging’
Q126201343“Cinema, Alone”/Multiple “Cinemas”

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