Mise au Point

Academic journal published by Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel , covering the subjects: Fine Arts: Visual arts

Mise au Point is …
instance of (P31):
academic journalQ737498
open-access journalQ773668

External links are
P6981ACNP journal ID3378620
P8375Crossref journal ID185606
P5115Directory of Open Access Journals ID2261-9623
P8903HAL journal ID91303
P236ISSN2261-9623
P7363ISSN-L2261-9623
P4730Mir@bel journal ID1854
P856official websitehttp://journals.openedition.org/map
P10283OpenAlex IDS4210215413
P7662Scilit journal ID1544116

P972catalogDirectory of Open Access JournalsQ1227538
P275copyright licenseCreative Commons Attribution-NonCommercial-NoDerivativesQ6937225
P6216copyright statuscopyrightedQ50423863
P17countryFranceQ142
P495country of originFranceQ142
P407language of work or namemultiple languagesQ20923490
P921main subjectvisual artsQ36649
P123publisherAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelQ52637108
P408software engineOpenEdition JournalsQ3428785
P1476titleMise au point

Reverse relations

published in (P1433)
Q130059515Anachronisme et humour : de l’usage intempestif de l’anachronisme dans la fiction en costumes
Q130060712Blue is the Warmest Colour: A Melodramatic Coming-of-Age Story
Q58158374Claus Tieber et Anna K. Windisch (dir.). The Sounds of Silent Films. New Perspectives on History, Theory and Practice
Q130060711Disney, remakes et reprises
Q129044074Egoyan au miroir
Q130059272Epstein, Sound, and the Return to Classical Film Theory
Q130058082From Jenna Marbles to Broad City. The New Irreverent Voices of American Humour
Q130059280From the stereotype in contemporary French comedy: around Qu’est-ce qu’on a fait au Bon Dieu?
Q130056847HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007
Q130056781Hollywood Zen: A Historical Analysis of Oshima Nagisa’s Unfinished Film
Q130056124Humour and faces of political involvement. The case of Ronny Coutteure
Q130058084Introduction – Images pour/suite : remake, franchise, filiation
Q130059275La Politique des Auteurs in British Film Studies: Traditional versus Structural Approaches
Q130060713La franchise, une forme culturelle ?
Q128636357Le film au secours du corps de l’adolescent en milieu scolaire : rythmes individuels, rythmes collectifs
Q130056778L’humour de Tati
Q130059520Repeating the unintended?The documentary remake in question
Q130059274Speed Detection, intertextuality and audiences in Sherlock
Q130059277The Contempt for Theoretical Renewal: the Theoretical Quarrel Between Cinephiliac Criticism and Academia in France
Q130058085The Deleuzian Dream and the Analytic Awakening
Q130058080Tweets et humour : le cas du Gorafi
Q129043503Un art du raccourci : La Ricotta de Pier Paolo Pasolini
Q130059519Writing and Encoding Professional Actions. Cinema Projections in the 1910s
Q108930590Professionnalisation des modes de diffusion sur YouTube : pour une exploration des outils de mise en ligne

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