| academic journal | Q737498 |
| open-access journal | Q773668 |
| scientific journal | Q5633421 |
| P6981 | ACNP journal ID | 3048877 |
| P5115 | Directory of Open Access Journals ID | 2300-7605 |
| P2671 | Google Knowledge Graph ID | /g/11hfjq81bp |
| P236 | ISSN | 2083-8530 |
| 2300-7605 | ||
| P7363 | ISSN-L | 2083-8530 |
| P856 | official website | http://dspace.uni.lodz.pl:8080/xmlui/handle/11089/1365 |
| http://multicultural.online.uni.lodz.pl | ||
| http://shakespearecentre.uni.lodz.pl/pl/multicultural-shakespeare/ | ||
| http://www.degruyter.com/view/j/mstap | ||
| http://wydawnictwo.uni.lodz.pl/redakcje-czasopism/multicultural-shakespeare-translation-appropriation-and-performance | ||
| P10283 | OpenAlex ID | S2738898471 |
| P8104 | Paperity journal ID | 204589 |
| P7662 | Scilit journal ID | 897139 |
| 2334713 | ||
| P1156 | Scopus source ID | 21100437743 |
| P972 | catalog | Directory of Open Access Journals | Q1227538 |
| P275 | copyright license | Creative Commons Attribution-NonCommercial-NoDerivatives | Q6937225 |
| P6216 | copyright status | copyrighted | Q50423863 |
| P17 | country | Poland | Q36 |
| P495 | country of origin | Poland | Q36 |
| P8875 | indexed in bibliographic review | Scopus | Q371467 |
| P407 | language of work or name | English | Q1860 |
| P921 | main subject | English literature | Q186579 |
| P577 | publication date | 1972-01-01 | |
| P123 | publisher | De Gruyter Open | Q52620730 |
| University of Lodz Press | Q48860764 | ||
| P1476 | title | Multicultural Shakespeare | |
| Multicultural Shakespeare: Translation, Appropriation and Performance |
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| Q105445376 | Book Reviews |
| Q125757628 | Book Reviews |
| Q59760155 | Canons and Heroes: The Reception of the Complete Works Translation Project in Finland, 2002-13 |
| Q57754511 | Chaucer and His Bastard Child: Social Disjunction and Metaliterariness in The Two Noble Kinsmen |
| Q128206576 | Decentering the Bard: The Localization of "King Lear" in Egyptian TV Drama "Dahsha" |
| Q128206986 | Hamlet Underground: Revisiting Shakespeare and Dostoevsky |
| Q128190004 | Interview with Bryan Reynolds |
| Q125825196 | Introduction: Jan Kott and Posthumanist Entanglements |
| Q129010126 | James L. Harner: In Memoriam |
| Q128167996 | Receptive Aesthetic Criteria: Reader Comparisons of Two Finnish Translations of "Hamlet" |
| Q128166164 | Shakespeare in Digital Games and Virtual Worlds |
| Q58947778 | Teatro Praga’s Omission of Shakespeare – An Intercultural Space |
| Q128189647 | What bloody film is this? "Macbeth" for our time |
| Multicultural Shakespeare: Translation, Appropriation and Performance | wikipedia |
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