Abstract is: William Bell Scott (1811–1890) was a Scottish artist in oils and watercolour and occasionally printmaking. He was also a poet and art teacher, and his posthumously published reminiscences give a chatty and often vivid picture of life in the circle of the Pre-Raphaelites; he was especially close to Dante Gabriel Rossetti. After growing up in Edinburgh, he moved to London, and from 1843 to 1864 was principal of the government School of Art in Newcastle upon Tyne, where he added industrial subjects to his repertoire of landscapes and history painting. He was one of the first British artists to extensively depict the processes of the Industrial Revolution. He returned to London, working for the Science and Art Department until 1885. He painted a cycle of historical subjects mixed with scenes from modern industry for Wallington Hall in Northumberland (now National Trust), his best known works, and a purely historical cycle for Penkill Castle in Ayrshire in Scotland. He did not paint many portraits, but his striking portrait of his friend Algernon Charles Swinburne is the iconic image of the poet. His etchings were mostly designed to illustrate his books.
human | Q5 |
P8783 | AAGM person or institution ID | 2975 |
P6844 | abART person ID | 141111 |
P9097 | American Academy in Rome ID | 12409330 |
P5731 | Angelicum ID | 191846 |
P5508 | archINFORM person/group ID | 58625 |
P8902 | Archives at Yale agent ID | people/91303 |
P3791 | Art Renewal Center artist ID | 2082 |
P1367 | Art UK artist ID | scott-william-bell-18111890 |
P5597 | Artcyclopedia artist ID | scott_william_bell |
P5489 | artist-info artist ID | 318861 |
P4432 | Artists of the World ID | 20016945 |
P3782 | Artnet artist ID | william-bell-scott |
P7545 | askArt person ID | 11069538 |
P4145 | Athenaeum person ID | 6729 |
P2843 | Benezit ID | B00166587 |
P3965 | Bridgeman artist ID | 343 |
P1711 | British Museum person or institution ID | 45736 |
P9984 | CANTIC ID | 981058529074606706 |
P1273 | CANTIC ID (former scheme) | a10670178 |
P1871 | CERL Thesaurus ID | cnp00573619 |
P4200 | Christie's creator ID | 43785 |
P11496 | CiNii Research ID | 1140282266798362112 |
P1472 | Commons Creator page | William Bell Scott |
P8085 | Curran Index contributor ID | 1263 |
P13049 | DDB person (GND) ID | 123150043 |
P2332 | Dictionary of Art Historians ID | scottw |
P1953 | Discogs artist ID | 2473236 |
P7704 | Europeana entity | agent/base/148778 |
P2163 | FAST ID | 1394 |
P535 | Find a Grave memorial ID | 227288660 |
P646 | Freebase ID | /m/021tk9 |
P7848 | Frick Art Research Library Artist File ID | 991004188949707141 |
P227 | GND ID | 123150043 |
P10297 | Google Arts & Culture entity ID | m021tk9 |
P269 | IdRef ID | 127905677 |
P1233 | Internet Speculative Fiction Database author ID | 108665 |
P4927 | Invaluable.com person ID | 9gu52g3muf |
P213 | ISNI | 0000000081944468 |
P8189 | J9U ID | 987007312576305171 |
P244 | Library of Congress authority ID | n50005611 |
P1899 | LibriVox author ID | 10957 |
P10882 | Met Constituent ID | 73538 |
P2268 | Musée d'Orsay artist ID | 132394 |
P271 | NACSIS-CAT author ID | DA0816565X |
P5368 | National Gallery of Canada artist ID | william-bell-scott |
P2041 | National Gallery of Victoria artist ID | 3655 |
P10227 | National Library of Ireland ID | vtls000886116 |
P949 | National Library of Israel ID (old) | 000383953 |
P7699 | National Library of Lithuania ID | LNB:K+q;=Bc |
P1816 | National Portrait Gallery (London) person ID | mp06017 |
P1006 | Nationale Thesaurus voor Auteursnamen ID | 070361746 |
P1207 | NUKAT ID | n99705289 |
P648 | Open Library ID | OL241581A |
P3762 | openMLOL author ID | 153685 |
P1415 | Oxford Dictionary of National Biography ID | 24938 |
P12582 | Oxford Reference overview ID | 20110803100448845 |
P12458 | Parsifal cluster ID | 85384 |
P8317 | Philadelphia Museum of Art entity ID | 11237 |
P2750 | Photographers’ Identities Catalog ID | 6899 |
P1005 | Portuguese National Library author ID | 395316 |
P1938 | Project Gutenberg author ID | 35837 |
P4553 | RA Collections ID | 16265 |
P3065 | RERO ID (legacy) | 02-A003816433 |
P650 | RKDartists ID | 71651 |
P4808 | Royal Academy new identifier | william-bell-scott |
P3430 | SNAC ARK ID | w6sn13p3 |
P2349 | Stuttgart Database of Scientific Illustrators ID | 10597 |
P2741 | Tate artist ID | william-bell-scott-481 |
P3029 | UK National Archives ID | F70159 |
P245 | Union List of Artist Names ID | 500005114 |
P11686 | University of Barcelona authority ID | 981058529074606706 |
P214 | VIAF cluster ID | 3372337 |
P6735 | Watercolour World artist ID | william-bell-scott |
P1882 | Web Gallery of Art artist ID | s/scott_wb |
P10832 | WorldCat Entities ID | E39PBJvMtMDKQFGcwPYDCmd4v3 |
P4169 | YCBA agent ID | 13 |
P9493 | artist files at | Frick Art Research Library | Q5503390 |
P7763 | copyright status as a creator | copyrights on works have expired | Q71887839 |
P27 | country of citizenship | United Kingdom of Great Britain and Ireland | Q174193 |
P1299 | depicted by | William Bell Scott, 1811 - 1890. Poet and artist (Self-portrait) | Q27959268 |
P1343 | described by source | Encyclopædia Britannica 11th edition | Q867541 |
New International Encyclopedia | Q1029706 | ||
The Nuttall Encyclopædia | Q3181656 | ||
Dictionary of National Biography, 1885–1900 | Q15987216 | ||
Library of the World's Best Literature | Q19098835 | ||
P69 | educated at | Edinburgh College of Art | Q5338172 |
P734 | family name | Scott | Q12800811 |
Scott | Q12800811 | ||
Scott | Q12800811 | ||
P22 | father | Robert Scott | Q7349658 |
P136 | genre | portrait | Q134307 |
P735 | given name | William | Q12344159 |
William | Q12344159 | ||
Bell | Q21423096 | ||
Bell | Q21423096 | ||
P6379 | has works in the collection | National Gallery | Q180788 |
Scottish National Gallery | Q942713 | ||
Tate | Q430682 | ||
Philadelphia Museum of Art | Q510324 | ||
Victoria and Albert Museum | Q213322 | ||
Ashmolean Museum | Q636400 | ||
William Morris Gallery | Q8015837 | ||
Guildhall Art Gallery | Q4968030 | ||
Hatton Gallery | Q5682144 | ||
Yale Center for British Art | Q6352575 | ||
Kelvingrove Art Gallery and Museum | Q1061094 | ||
National Gallery of Canada | Q1068063 | ||
National Gallery of Victoria | Q1464509 | ||
Laing Art Gallery | Q1800739 | ||
National Galleries Scotland | Q2051997 | ||
Rhode Island School of Design Museum | Q2148186 | ||
Manchester Art Gallery | Q2638817 | ||
Rozelle House Galleries | Q119982177 | ||
P1412 | languages spoken, written or signed | English | Q1860 |
P106 | occupation | writer | Q36180 |
poet | Q49757 | ||
painter | Q1028181 | ||
art historian | Q1792450 | ||
graphic artist | Q1925963 | ||
P5008 | on focus list of Wikimedia project | WikiProject PCC Wikidata Pilot/Frick Art Reference Library | Q104694359 |
P119 | place of burial | Old Dailly Parish Church | Q17840823 |
P21 | sex or gender | male | Q6581097 |
P937 | work location | London | Q84 |
P2032 | work period (end) | 1890-01-01 | |
P2031 | work period (start) | 1826-01-01 | |
P6886 | writing language | English | Q1860 |
Q119085380 | A Leopard |
Q119062398 | A Picnic at Hanwell |
Q119811693 | A Rocky Shore with a Shipwreck |
Q23758137 | Ailsa Craig |
Q17173425 | Albrecht Dürer on the Balcony of his House |
Q119083850 | Algernon Charles Swinburne (1837–1909), Commoner (1856), Poet |
Q52303597 | An Incident after the Plague |
Q110975483 | Ariel and Caliban |
Q119084302 | Autumn Crocus |
Q52302804 | Bede finishes his Works and Life (One of a series of eight oil paintings illustrating the history of the English Border) |
Q119051786 | Bell-Ringers and Cavaliers Celebrating the Entrance of Charles II into London on Restoration |
Q52302823 | Bernard Gilpin making Peace among the Borders, takes down the Glove in Rothbury Church, circa 1570 (One of a series of eight oil paintings illustrating the history of the English Border) |
Q64537575 | Cockcrow |
Q119811684 | Fair Rosamond Alone in Her Bower |
Q117021516 | Fair Rosamund in her Bower |
Q119866795 | Girl in a Blue Dress |
Q52302830 | Grace Darling (1815-1842) and her father William Darling (d.1865) save the Survivors from the Wreck of the Steamer 'Forfarshire' on the Farne Rocks, 7th September 1838 (One of a series of eight oil pa |
Q119811701 | Illustration to a Scene from 'The Decameron' by Giovanni Boccaccio |
Q52302836 | In the Nineteenth Century the Northumbrians show the World what can be done with Iron and Coal |
Q119118170 | Keats's Grave |
Q52302792 | King Egfrid and Bishop Trumwine persuade Cuthbert to be made Bishop (One of a series of eight oil paintings illustrating the history of the English Border) |
Q52293868 | Mrs Halliwell as an Old Woman |
Q52302769 | Pauline Jermyn, Lady Trevelyan (1816-1866) |
Q119811706 | Peter Vischer (1487–1528) |
Q119085131 | Peter Vischer (1487–1528) (design for a mosaic in the Victoria and Albert Museum) |
Q119087102 | Peter Vischer (c.1455–1529) |
Q52200981 | Pixies dancing in a Ring by the Firelight |
Q27960316 | Port na Curachan, Iona |
Q119085137 | Seascape on the Northumbrian Coast |
Q119117819 | Shelley's Grave |
Q119811685 | Spencer Boyd of Penkill, Ayrshire |
Q119083821 | Study of Flowers and Fruit |
Q119082594 | Study of Two Medieval Figures |
Q119083565 | Study of Undergrowth |
Q119952645 | The Argonauts |
Q109716166 | The Border Widow |
Q119085212 | The Building of the New Castle, 1080 |
Q52302798 | The Danes descend upon the Coast and at last possess Northumberland (One of a series of eight oil paintings illustrating the history of the English Border) |
Q18689494 | The Eve of the Deluge |
Q20810062 | The Gloaming (Manse Garden, Berwickshire) |
Q27968833 | The Kingis Quair |
Q59493753 | The Little Water-carrier |
Q27960328 | The Nativity |
Q109991436 | The New Moon |
Q119811703 | The Penkill Burn |
Q52302781 | The Romans cause a Wall to be built for the Protection of the South (One of a series of eight oil paintings illustrating the history of the English Border) |
Q52302814 | The Spur in the Dish warns the Border Chief that the Larder needs replenishing (One of a series of eight paintings illustrating the history of the English Border) |
Q119811688 | The Trial of Sir William Wallace at Westminster |
Q52293920 | Thomas Evans |
Q27960314 | Una and the Lion (from Spenser's 'The Faerie Queene') |
Q119811698 | White Lilies |
Q27959268 | William Bell Scott, 1811 - 1890. Poet and artist (Self-portrait) |
Q51408011 | Tales about birds, illustrative of their nature, habits, and instincts | illustrator | P110 |
Q121875188 | Mrs. W. B. Scott | spouse | P26 |
Q7349658 | Robert Scott | child | P40 |
Q98170657 | John Duncan | student of | P1066 |
Category:William Bell Scott | wikimedia | |
Catalan (ca / Q7026) | William Bell Scott | wikipedia |
William Bell Scott | wikipedia | |
William Bell Scott | wikipedia | |
Esperanto (eo / Q143) | William Bell Scott | wikipedia |
William Bell Scott | wikipedia | |
William Bell Scott | wikipedia | |
West Frisian language (fy / Q27175) | William Bell Scott | wikipedia |
ויליאם בל סקוט | wikipedia | |
William Bell Scott | wikipedia | |
nb | William Bell Scott | wikipedia |
William Bell Scott | wikipedia | |
Norwegian, Nynorsk (nn / Q25164) | William Bell Scott | wikipedia |
Скотт, Уильям Белл | wikipedia | |
sco | William Bell Scott | wikipedia |
Вільям Белл Скотт | wikipedia | |
Author:William Bell Scott | wikisource |
Search more.